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First modification: 02/10/2026 - 16:42

The Goncourt Academy has withdrawn a novel by the writer Thélyson Orélien from its candidatures after suspicions that it was written with artificial intelligence. The author denies the accusations and defends that the style of his work reflects the Caribbean oral tradition. The decision reopens the debate on the limits of artificial intelligence in artistic creation, authorship and the criteria to distinguish a human work from a text generated by machines. How can the literary world meet this challenge without prejudging authors?

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